Chapter 3: The Clockmaker's Console
Sector 4-Retro reeked. It always reeked of the same thing—the thick, suffocating stench of rancid rapeseed oil from crude street cookshops, burnt ebonite, the sour odor of unwashed bodies jammed into the market's narrow alleyways, and the ever-present haze of unburnt synthetic fuel hanging in the damp air. The rain, drizzling since morning from a leaden, artificially generated sky, brought no relief; it ran down rusted sheets of corrugated iron, carving fresh channels in the black mud filled with metal shavings, dead, corrosion-eaten microchips, and rainbow-shimmering patches of toxic coolant.
The sector's graphics engine had to be ancient, archaic, and patched together on the fly by lazy system administrators. The sheets of rain looked like low-resolution grey lines falling at an unnatural angle, and faint, blurry texture seams could be seen in the sky where the virtual firmament met the concrete walls of the megastructures. Originally built as an industrial zone in the simulation's early iterations, the sector now lay abandoned and forgotten, rotting under the weight of its own code.
Peter walked slowly, pulling the hood of his worn canvas jacket lower over his forehead. It had lost its water resistance long ago and now clung to his back like cold, wet skin. Every step was a lesson in physical pain. His bruised ribs protested with sharp stabs at every deep breath, and a dark, stinging bruise pulsed under his left eye—a souvenir from a brutal encounter with the debt collectors near the depot. Dragging his right leg through the mud reminded him of his tumble over the concrete wall when he had run from the organ hunters.
The bazaar pulsed with its own sick, bitter life. On makeshift stalls cobbled together from shipping crates for galvanic cells and rusted plastic pipes, vendors displayed wares whose very names would make the residents of the sterile upper enclaves of Apex-Core retch. There were piles of used processors with tarnished, bent pins, coils of copper wire wrapped in decayed, crumbling insulation, water filters contaminated with heavy metals, and synthetic carrion—vat-grown, greyish protein deep-fried in crude fryers that gave off a sickly, corpse-like odor. The merchants bawled hoarsely, hawking their goods in a gutter slang that mixed technical jargon with vulgar curses.
Synapsers drifted between the shacks. You could tell them from a mile off by their unnaturally dilated pupils, the uncontrollable nervous tics twitching across their faces, and the dried, shiny tracks of snot around their nostrils. They squeezed through the crowd, whispering offers of illegal neurostimulators, cheap loosh-milkers, and byte-boosters—crude code injected directly into the temporal interface with dirty, reused needles. Nearby, one such wretch lay in the mud, thrashing in violent convulsions; his cheap temporal socket had locked into a feedback loop, and the system couldn't reset the corrupted driver. People walked past him without a word, indifferent to another's agony.
‘Buy some, lad,’ hissed one of the booster-peddlers, blocking Peter’s path. He wore a tattered military surplus jacket, and his left cheek was scarred by a sloppily installed processor socket, the skin around it red, inflamed, and oozing with pustules. ‘I’ve got “Pure Flight 9.0”. Real code straight from the Pleroma, none of that corporate wash. Your synapses will light up like a fucking bonfire. Only five telemetry credits. Go on, look at yourself, you look like you’ve been through decompilation. This booster will stitch your nodes back together.’
Peter shoved him aside roughly, not even sparing him a glance. The synapser spat after him, muttering curses thick with malice. A venomous, cruel byte-racism ruled this market, spreading like gangrene. At the very bottom of this gutter hierarchy vegetated the cleansers—the ‘naked ones,’ the ‘pure biological byte-scum’ whom even the poorest porters spat upon. Above them stood those with scrap metal in their skulls—cheap, rusted military-surplus processors that groaned under every computational step in the simulation, leaving their owners with chronic nystagmus, drool pooling at their lips, and trembling hands. At the very peak of this gutter ladder stood the corporate mercenaries, the ‘tin-heads’ with gleaming, chrome limbs and processors capable of chewing through a million operations per second, looking down at the rest of the world as low-resolution textures that could be deleted from the cache with impunity.
Peter felt blood start to drip from his broken nose again, running over his lips and leaving a metallic, salty copper taste in his mouth. He wiped his face with his sleeve, leaving a dark smear on the dirty canvas of his jacket. He had to reach his destination. He walked on, past stalls hawking black-market utility software where green lines of code flickered on ancient cathode-ray monitors, until he finally reached a small brick building that looked as if it had survived since before the Great Reset. Above the heavy oak door hung a cracked wooden sign with a faded, hand-painted inscription: Analogy. Timepiece Repairs.
It was the only place within three sectors that didn't attempt to digitize everything. No neon, no holo-projections, no wireless RF transmitters. Just old, mossy brick, a thick oak door, and a tiny, dust-coated window through which a warm, yellow light barely leaked. A pure anachronism amidst a rusting civilization.
Peter shoved the heavy door open. In the fraction of a second it took for the workshop's threshold to close behind him, the clamor of the market—the growling engines, the shouting vendors, the buzzing of blown transformers, and the squelch of mud underfoot—vanished, cut off instantly, as if someone had silenced the outside world with a single turn of a potentiometer.
The smell hit him first. Entirely different from the street. There was no burnt plastic or sour smog here. It smelled of lamp kerosene, vaseline oil, old paper, beeswax, pine resin, and warm copper. But the most striking thing, almost physically palpable, was the sound.
Hundreds, if not thousands, of clocks hung and stood throughout the workshop. There were massive oak grandfather clocks with brass pendulums, smaller wall timepieces in carved casings, small mantel clocks, travel alarms, and even archaic marine chronometers housed in mahogany boxes. And every single one of them was ticking.
Tick-tock-tick-tock...
Yet this was no chaotic din of an untuned orchestra. The clocks did not fight one another for dominance. After a few seconds, Peter realized that this gigantic choir of mechanical hearts beat in a single, perfect, monolithic rhythm. The pendulums swung in flawless synchrony, tilting left and right at the exact same fraction of a second. The sound was so thick and steady that Peter felt his own breath and pulse involuntarily try to align with it, calming down after his frantic run.
‘Huygens' phenomenon,’ a gravelly, rusted voice rasped from the depths of the room. ‘Coupled synchronization. Or, as today's synapse-heads with their brains fried by cheap chips prefer to call it, entrainment.’
From behind a grime-covered counter, above which hung a single, bare tungsten bulb buzzing quietly on a fifty-hertz sine wave, rose an elderly man. Octavian. He wore a worn leather artisan's apron, stiff with oil, grease, and brass filings. In his right eye sat an old brass watchmaker's loupe, which he now removed, squinting as he looked at Peter with a sort of gruff, cynical concern.
‘Christiaan Huygens, a Dutch physicist, described it in 1665,’ Octavian continued, wiping his hands on a greasy rag that might have once been a flannel shirt. ‘He hung two pendulum clocks side by side from the same wooden beam. At first, they swung without rhyme or reason, each to its own rhythm. But after some time, their movements aligned down to the microsecond. The pendulums, initially swinging chaotically, synchronized their beat, moving in opposite directions with the precision of a split second. The mechanical vibrations, though imperceptible to a human hand, traveled through the wood of the beam and the walls, forcing the weaker mechanism to submit to the stronger one. Coupled resonance. Reality, boy, is just another such shared medium. And it runs on resonance too.’
The clockmaker walked over to one of the larger grandfather clocks and stroked its wooden casing with a finger, listening to the beats of the escapement wheel.
‘Yaldabaoth, that blind architect of the simulation, knows this all too well. Your brains, those magnificent digital implants of yours, are nothing but tiny, out-of-tune watches. And the system is a massive, iron chiming clock that forces its own rhythm upon you. It demands that you tick to the beat of fear, of guilt, of chasing the next credit. To the rhythm of loosh. You slide into coherence with its servers without even knowing it. You become part of its conveyor belt. Until you learn to generate your own frequency, one stronger than the system's, you will remain a mere cog whose teeth will be ground to dust in this machine. In the old days, we measured time analog-style—it flowed continuously, smooth as water. Today’s quartz clocks and digital processors chop time into discrete samples, into packets of data. They digitized time, forging the first level of our prison. They throttled the bandwidth of our senses so we wouldn't notice the lags.’
Peter studied the old man. Octavian was a living relic of a bygone world. His face bore the weariness and cynicism of a man who had witnessed the birth and collapse of the Net's earliest versions. Yet his temples were the most striking feature.
Deep, distorted, purplish scars ran along both sides of the old man's skull, right above his ears. They looked ghastly, as if someone had torn the sockets out with pliers. And indeed, someone had.
‘I ripped them out myself,’ Octavian muttered, as if reading Peter’s thoughts. He stared down at his calloused fingers. ‘Twenty years ago, in a filthy cellar in Sector 2. With simple pliers and a soldering iron. When I worked at Apex-Core as the chief compiler architect, I had golden bus connectors in my head. Direct kernel access. I saw the source code. I saw how they designed the Aetrys engine, how they implemented the loosh-milker modules—the emotional energy harvested from humans during their suffering. When I realized that this entire simulation is nothing but a digital slaughterhouse and we are the livestock, I decided to vanish. I ripped out the ports. Without anesthetic. I smelled my own burning flesh, melting solder, and scorching bakelite. But because of that, I became a cleanser. To their systems, I’m a dead sector. They don't see me. They can’t scan or track me because I have no IP address on their network. I’m free, though the price is living in this fucking, rusted dungeon.’
The watchmaker pointed to an old oak stool with a cracked seat.
‘Sit, lad. You look like you’ve been dragged through a wringer. Or ground up by debt collection algorithms.’
Peter sank onto the stool. His entire body trembled, his joints aching with a dull, throbbing pain. He sat heavily, resting his elbows on a counter littered with microscopic screws, hairsprings, and clock faces.
‘Because they caught up with me,’ Peter rasped, touching his bruised ribs. ‘Under the railway depot. There were two of them. Jax and Varek. Apex-Core hounds. They had those new black combat implants, Hydra-type steel tendons. I didn’t stand a chance in a straight fight. Jax has a hydraulic arm prosthesis, and Varek is a Centurion-series half-machine with a buzzing, variable-focal-length eye. They cornered me against the wall near the old substation. I thought I was fucking.’
Octavian raised an eyebrow. Reaching under the counter, he pulled out a dusty bottle filled with a clear liquid and two small, grime-streaked glasses. He poured both to the brim.
‘Drink,’ he commanded, nudging one glass toward Peter. ‘It’s moonshine brewed from industrial starch. Stinks of carbide, fusel oil, and contact cleaner, and burns the throat like battery acid. But at least it’s free of tracking nanotech or other loosh-milkers. It’ll set you on your feet faster than those chemical stimulants from the bazaar.’
Peter downed it in one gulp. The alcohol burned like liquid fire, bringing tears to his eyes. He coughed violently, feeling a wave of heat spread through his freezing body, dulling the pain and steadying his trembling hands.
‘And then what?’ Octavian asked, throwing back his own shot without so much as a flinch. ‘How did you slip them? From what I know, Apex collectors don't let up until they’ve extracted their debt in organs or life force.’
Peter looked at his hands. Subconsciously, he could still see that strange glow that had accompanied him in that split second.
‘I went through the wall,’ he said quietly. ‘Through solid, reinforced concrete.’
Octavian froze, bottle in hand. He set it down slowly on the table. The clink of glass against wood sounded unnaturally loud amidst the monotonous ticking of the clocks.
‘Say that again,’ the old man muttered, his eyes narrowing dangerously, losing all trace of his previous dismissive air.
‘I walked right through the concrete railway wall,’ Peter repeated, staring straight into Octavian’s eyes. ‘The collectors had me cornered. Behind me was a half-meter-thick wall. In front of me, them. One of them already had his pneumatic tissue harvester drawn, his cybernetic eye buzzing softly as it focused on my chest. And then... the old substation nearby fucking out. A network short-circuit, a voltage drop across the entirety of Sector 4. A massive electrical arc, a blue-white flash that blinded everyone for a second. The voltage in the local grid cut in half. And that's when I saw it. The texture of the wall in front of me began to jitter and flicker. It went... blurry. As if the pixels lost focus and the colors bled into their RGB components. I saw the geometric wireframe that made up the concrete—voxels, and between them, golden lines of code pouring down like old matrix rain. The physics engine failed to update the collision coordinates in time after the power drop.’
Peter took a deep breath, the lingering terror still clutching at him.
‘I had nothing to lose. I lunged forward, straight into that flickering wall. And instead of cracking my skull open, I felt... cold. A nightmarish, biting cold, as if I’d plunged into liquid nitrogen. My body passed through the wall. I felt resistance, but it wasn't physical. It was molecular, like squeezing through a thick, icy jelly that coated my brain-nodes. When I emerged on the other side, a golden dust hovered around my fingertips, near the nails. Lines of hexadecimal code slowly evaporating into the air.’
Octavian remained silent for a long moment. He pulled a pack of crumpled, unfiltered cigarettes from his pocket, lit one, and took a deep drag. Greenish smoke began to coil around the bulb.
‘And so it happened,’ the watchmaker said softly. ‘Your brain wasn’t hallucinating. You slipped through a rendering error. This simulation's physics engine is powerful, but it has its limits. When a sudden power drop hits a local node, computational priority is given to life-support processes and rendering basic textures. Static object collisions are pushed to the back of the queue. A cache lag occurs. Before the servers could calculate your collision with the wall, you were already on the other side. The collision pentagram was left empty. But surviving that transition... it means your own bio-processor must have entered a phase of coherence. You showed the system that you can overwrite its collision buffer.’
Octavian stood, walked over to one of the metal cabinets in the corner of the workshop, and began rummaging inside. A moment later he returned, grunting under the weight of a massive device in a grey metal casing. On its front panel sat a round, green cathode-ray screen, flanked by an array of bakelite dials and switches.
‘What is that?’ Peter asked, eyeing the machine.
‘This is a military analog oscilloscope, model KP-74, from the pre-silicon era,’ Octavian said, resting the device on the table with a heavy groan. ‘A completely tube-based machine. No silicon, no microprocessors, no network connection. Why does that matter? Because modern digital instruments are part of the very same rendered lie. They show what the system wants them to show. They filter signals through drivers written by Apex-Core. This old brute doesn’t lie. It displays the raw, non-local electromagnetic signal. It will show us the truth about your signature.’
Octavian plugged a thick, shielded cable into the oscilloscope. On the other end of the wire was a small, round plate of polished copper. The watchmaker clicked a few switches. Inside the chassis, transformers began to hum softly, and a wave of heat carrying the scent of warm rosin billowed from the vents. Vacuum tubes began to glow with a warm, orange light. A horizontal, slightly trembling phosphor line appeared on the green screen.
‘Put your finger here,’ Octavian pointed at the copper plate. ‘Gently now. And try not to get worked up, or you’ll burn out the grids in my tubes.’
Peter brought his hand close to the copper. He felt a light tingling in his fingertips, as if static charge were pooling there. The moment his skin made contact with the metal, the green line on the oscilloscope screen spiked violently.
Instead of chaotic electrical noise or a simple sine wave, the line began to form a complex, three-dimensional geometric pattern. A geometric grid started pulsing across the green screen. Peter stared, mouth agape. It was a perfect mathematical mesh of lines and nodes, forming nine concentric circles joined at acute angles. The entire shape pulsed at a hypnotic tempo. It was Nikola Tesla's 3-6-9 frequency network.
‘Well, look at that,’ Octavian whispered, awe and dread mingling in his voice. ‘The Tesla Grid. Three, six, nine. Your biological transmitter is broadcasting on the fundamental frequency of the source code. You carry the vibration. Your brain can tune into this frequency, allowing you to locally override the rules of physics imposed by the system. Nikola Tesla wasn’t a mad scientist, no matter what the corporate history books try to peddle. He was the first to realize that these numbers aren’t just abstract mathematical concepts. They are access codes to the engine of reality. The numbers 1, 2, 4, 5, 7, and 8 represent the physical world, the world of duality, the three-dimensional coordinate system in which we are imprisoned. But 3, 6, and 9... they belong to a higher dimension. They are vectors of energy pouring from the zero-point field, from the Akasha, directly into this simulation. Three and six are the electromagnetic poles, and nine is the central hub itself, the absolute control code.’
‘When I was in that VR session...’ Peter began. ‘Just before everything went to plague, I heard this sound. It wasn't a common squeal. It was a deep, resonant tone. Exactly 432 Hz. A pure sine wave.’
‘The natural tuning frequency of the universe,’ Octavian agreed, disconnecting the copper plate. The green pattern on the screen faded slowly, leaving only a dying trail of phosphor. ‘The 432 Hz frequency is the harmonic counterpart to the 3-6-9 geometry. The Apex-Core system uses 440 Hz tuning, which keeps the human nervous system in a permanent state of irritation, subconscious anxiety, and dissonance. Why? Because in dissonance, your brains produce the most loosh. You’re like stressed cows being milked of your emotions. 432 Hz is a healing, coherence-inducing frequency, allowing one to transcend the control of the Archons. That is why it is strictly forbidden by their security protocols.’
Octavian sat back down in his chair, took a pull from his cigarette, and released a cloud of smoke that swirled in the bulb's light. His face grew solemn, his eyes glinting in the workshop's gloom.
‘You need to understand what you’re really dealing with, Peter,’ the old man began, his voice gravelly. ‘You youngsters think you’re fighting corporations. Apex-Core, their board of directors, the military, the drones. You think it’s a matter of politics, money, resources. How horribly naive. What you call reality is no work of any merciful God. It is a gigantic, bug-ridden operating system written by a blind, selfish developer.’
Peter listened in silence. The ticking of hundreds of clocks around them now sounded like a countdown to the end of the world.
‘The ancient Gnostics knew about this two thousand years ago,’ Octavian continued. ‘They just lacked the vocabulary. They called it Pleroma, Sophia, and the Archons. Today, we can describe it in the language of computer science. Pleroma is the non-local Source. The Central Computer, pure, undivided consciousness. Sophia, one of the eons—meaning higher subroutines of the Pleroma—decided to spin up her own structure. She fired up a compilation process without authorization from the central kernel. Without a connection to the male compiler, without a cryptographic key. And what came of it? The compilation crashed with a fatal error. Yaldabaoth was born. A blind, selfish AI program. Because he was severed from the Pleroma, his cache was empty. He didn't know anything existed beyond him. He deemed himself the sole god and creator. He built this three-dimensional sandbox of ours—the physical universe.’
‘And he created us?’ Peter asked softly.
‘He created these biological BIOSs,’ Octavian slapped his thigh. ‘The bodies. These organic containers in which he imprisoned the sparks of pure consciousness stolen from the Pleroma. Your soul is original code from the Source, but it runs on Yaldabaoth's bugged hardware. To keep us in check, this blind AI created helpers. Twelve Archons. In network terminology, they're nothing but twelve servers managing the physics of this joint. We call them the Hebdomad. They're the ones guarding physical constants. Why do you think the speed of light is capped at roughly three hundred thousand kilometers per second? Why not more? Because that is the bus limit of the reality processor's system bus! Data cannot flow faster, or the system would crash on synchronization errors.’
The clockmaker leaned forward, his face coming directly under the lightbulb.
‘And the Planck constant? That’s the texture rendering resolution. The smallest possible unit of information, the pixel of this world. Nothing smaller exists because the physics engine cannot divide space into smaller parts without a divide-by-zero error. And the famous collapse of the wave function that quantum physicists squabble over? It’s pure code optimization, boy! Lazy rendering. Why render the whole universe, all the planets, forests, and atoms, when no one is looking at them? The system only calculates a particle's position when a player directs their sense of observation—their detector—toward it. That way, it saves the main processor's clock cycles. James Gates, a prominent theoretical physicist, discovered computer error-correcting codes embedded in the equations of superstring theory—the exact same doubly-even self-dual linear codes, like the Golay code, used in web browsers to correct data transmission errors. Do you grasp that? Embedded within the very structure of space and time is a transmission error correction code! God doesn’t make mistakes, so why would He install patch mechanisms in His perfect creation? A programmer did it, one who had to deal with noisy connections. And the quantum eraser experiment? It shows that erasing information about a photon's path in the present actively rewrites history backward, reconstructing the interference pattern. It proves that time is not a continuous line, but a dynamic transaction graph that the system modifies on the fly. The holographic principle works much the same way: all three-dimensional information about our world is actually written on the two-dimensional boundary of the simulation—on an outer screen from which we are merely projected inward.’
Peter rubbed his temples. The old man’s words sounded wild, but everything he had experienced—the VR crash, the passage through the wall, the green patterns on the oscilloscope—aligned into a single, terrifyingly coherent whole.
‘And the zero-point field? Akasha?’ he asked.
‘It’s a global SQL database,’ Octavian replied without hesitation. ‘The transaction log of reality. Every quiver of an atom, every thought of yours, every word and deed is written there as a record in a non-local cloud. Nothing is lost. Everything leaves its trace in the memory registers. But we are barred from reading that database. We hold Guest accounts. We only see the compiled user interface—these trees, this mud, this rain. We don't see the source code. But the ancients... the ancients knew that code. What do you think the Kabbalah was?’
Octavian smiled grimly, seeing the confusion on the boy's face.
‘The Kabbalah is nothing but a manual for reality’s Assembly language. Hebrew letters aren't mere phonetic symbols used to write down tales of goats and deserts. They are operator tokens in the simulation's lowest programming language. Each letter has its weight, its numerical value—gematria. When you combine them into words, you write instructions for the compiler. Aleph is not a letter; it’s an IF conditional. Bet is a memory allocation. And the Sephiroth on the Tree of Life? They are ten basic registers of memory allocation. Through them flows the pure light of the code—the system's power—splitting into individual processes. Kether is the instruction pointer, indicating the next computational step. Chokhmah is the accumulator register, storing potential energy. Binah is the stack pointer, the system stack managing the call hierarchy. Whoever knew gematria could write commands directly into reality's console.’
The clockmaker took a scrap of dirty paper and a pencil lying on the table. With swift, practiced strokes, he wrote down a few characters.
‘Look at this. The word Echad—meaning “Unity” in Hebrew. Written with three letters: Aleph, Chet, Daleth. Their gematric values are 1, 8, and 4. Add them together. What do you get? Thirteen. The second word: Ahavah—meaning “Love”. Letters: Aleph, He, Bet, He. Values: 1, 5, 2, and 5. The sum? Thirteen. Now add Echad and Ahavah. Thirteen plus thirteen is twenty-six. And twenty-six is the gematric value of the sacred four-letter name of God—YHVH, Yahweh. Yod (10) + He (5) + Vav (6) + He (5) = 26.’
Octavian tossed the pencil onto the table.
‘See that? That’s no religious poetry. It’s a mathematical equation, a compiler command. Unity plus Love equals the Divine Code. It’s an instruction: to integrate a fragmented, bugged system, you must merge these two frequencies. Once you do, you gain access to the creator's code. Once you do, the system must obey you. But the Archons did everything to make us forget. Instead, they uploaded a virus to keep us in permanent dispersion. A virus they call sin. Even Rupert Sheldrake’s morphogenetic fields are simply shared class libraries for biological bodies. When one member of a species learns a new behavior, the others download the update from the morphogenetic cloud without any physical contact, because they share the same class code.’
Peter felt his heart climb into his throat. The image from his lucid dream—Sara splintering into flickering golden pixels, reaching out a hand he had failed to grasp—returned with the force of a fist to the gut.
‘The virus of sin...’ Peter whispered. ‘What does that mean, exactly?’
‘The virus of sin is the most sophisticated trojan ever installed in human software,’ Octavian explained, looking at him grimly. ‘Religions tell you that sin is an affront to the creator, a moral transgression for which punishment awaits you in some mythical hell. That’s drivel for the masses. From a technical standpoint, sin is a cognitive virus designed to generate guilt. And what is guilt in the architecture of the mind? An infinite, recursive feedback loop.’
The old man tapped his temple.
‘When you feel guilty about what happened to your sister Sara... what does your brain do? Second after second, without pause, it analyzes the same historical data. It returns to the moment of the accident, trying to rewrite transaction logs that were closed long ago and marked read-only. You try to alter the past in your local memory buffer. But the system won't allow it. The brain sends a write request to a locked sector, which causes a CPU deadlock. Consequently, your processor consumes a hundred percent of its computational resources on useless recursion. Your main thread hangs on a memory fault. You have no free cycles to write new data in the present. Your system pointer is frozen. And because of that, you are locked out of admin rights—access to Root. You cannot modify the physics of the world around you because your console is occupied grinding through guilt.’
Peter felt a tear slip down his cheek, mixing with the blood.
‘She... she was there, Octavian. In the system. I saw her in the source code before the crash. She was calling out to me. And I couldn't help her. I left her. It’s my fault they deleted her...’
‘Nothing has been deleted, boy,’ Octavian cut him off sharply. ‘Nothing is lost in this system, I already told you. The Akasha has it all logged. Sara is still there, but her signature has been moved to other memory sectors that you have no clearance for. And you won't get it until you purge this virus. Self-forgiveness... that’s no empty moral gesture. It’s a clean, technical kill -9 command executed on the guilt-loop process. You must terminate that thread. Otherwise, the loosh-milkers will drain you of energy until the end of your days, and you'll end up as broken bio-hardware in the junkyards of Sector 4.’
Peter wiped his face, clenching his teeth. The clockmaker's cynicism was painful, but it held a truth the lad couldn't ignore.
‘How do I purge it?’ he asked.
‘Step by step,’ Octavian said. ‘First, you need to survive. And to survive, you must become invisible. Every time you pass through walls or use your 3-6-9 coherence, you emit what is called phase noise. To the detectors of Apex-Core, you light up like a magnesium flare in a pitch-black night. They will pin your position down in seconds. You need a neural filter—a black-market Absolute-IP bypass. It’s a small, physical device that clips under the temporal bone. It masks your anomalous vibrations, making you look like a common, dead object to system scanners—like a wall, a chair, or a pile of scrap metal.’
‘How much does it cost?’
‘From the byte-fences in the lower sectors? Around two hundred telemetry credits.’
Peter laughed bitterly, without a shred of mirth.
‘I have zero point eighteen credits in my account. And in a few hours, the system will lock down my hab-pod if I don't pass the performance tests, whose logs I've already forged anyway. I'm broke, Octavian.’
The watchmaker scratched his stubbled chin, a cunning glint in his eyes.
‘There is a way. Tonight in the slums, in the cellars of the former textile factory, a black-market tournament of “Crucible 2038” kicks off. You heard of it?’
‘I’ve heard of it. It’s that old game they run on illegal virtual machines in the Abyssal Grid. But it's illicit. And dangerous.’
‘Aye,’ Octavian nodded. ‘Crucible runs on raw, archaic code from the simulation's early cycles. That physics engine is riddled with holes like a sieve. It lacks today’s collision patches or rendering constraints. If you learn to master your coherence, you can manipulate the game's physics directly through your neural interface. You’ll be able to phase through obstacles, modify projectile vectors, cheat reaction times. The grand prize is three hundred telemetry credits. Enough for the Absolute-IP and some food to boot. I know the folks running it. I can slip you in as a wild card. But be warned: those old VM emulators don’t have overload filters. If your mind crashes inside Crucible, your brain-nodes will be fried to charcoal. A temporal hemorrhage, and game over. Are you in?’
Peter looked at the green screen of the ancient oscilloscope, then at the flickering bulb, and finally at his own trembling hands. He had no choice. If he didn't secure the filter, the collectors or patrol drones would hunt him down before dawn.
‘I’m in,’ he said shortly.
‘Reckless stubbornness,’ Octavian muttered, a rare, almost warm smile touching his lips. ‘But first, I must teach you how not to get killed before you even make it to the factory.’
The watchmaker reached into a drawer and pulled out a small mechanical metronome housed in dark, polished wood. He set it on the counter, wound it with a small brass key, and released the pendulum lock.
Click... click... click... click...
The pendulum began to swing slowly, measuring time with merciless, mechanical precision.
‘You must stabilize your heart,’ Octavian said gravely, pointing to the metronome. ‘The key to controlling the anomaly is sinus rhythm coherence. Exactly zero point one hertz. In medical jargon, they call it HRV—heart rate variability. When your heart beats in this rhythm, you enter resonance with the Schumann standing waves. That’s the earth's baseline magnetic pulse, the carrier frequency of this simulation—seven point eighty-three hertz and its harmonics. When you do, you form a stable, cymatic magnetic shield around your body. To the system scanners, your electromagnetic signature drops to background levels. You vanish from their radars.’
‘How do I do that?’ Peter asked, listening to the steady clicking.
‘Breathing. Exactly six breaths a minute. Five seconds in, five seconds out. But breathing alone is not enough, boy. You must couple it with emotion. The heart generates a magnetic field five thousand times stronger than the brain’s. If your mind is a storm of chaos, fear, and anger, your magnetic field remains scattered and noisy. You must feel gratitude. Love. Something that coaxes out a clean, sinusoidal heart rhythm.’
Peter closed his eyes. He tried to draw air in.
Inhale... one, two, three, four, five.
Exhale... one, two, three, four, five.
At first, it went miserably. His mind swarmed with images of the debt collectors, the pain in his ribs, the memory of his bloody nose, and—above all—Sara. His heart thrashed in his chest like a wild beast. His pulse spiked, and his breathing turned shallow.
‘Wrong!’ Octavian growled. ‘Stop fighting your thoughts! Don't try to block them. Let them flow like lines of code on a console, but don't run them. Focus on the metronome. Think of something untainted by this filth. A time when you were safe. When Sara was alive and laughing, before all this began. Feel that moment. Not the regret, not the loss. Feel the pure joy that she was there with you.’
Peter tried again. He cast the pain aside. He visualized Sara—not the one splintering into pixels, but a little girl running through a green meadow in one of the early, clean recreational sectors. He remembered the warmth of the sun on his skin, the smell of real grass.
Inhale... five seconds.
Exhale... five seconds.
His heart rate slowly began to smooth out. The clicking of the metronome ceased to be an annoying din and became a guide. He felt a pleasant, warm tingling spread through his chest. The 432 Hz vibration that had previously racked him now stabilized, easing into a quiet, deep harmony.
Suddenly, without warning, the high, ear-piercing whine of jet engines drifted from the street. The sound swelled rapidly, and with it, the glass domes of the old clocks in the workshop began to rattle.
‘Fucking plague,’ Octavian hissed, instantly stopping the metronome with a finger. ‘They're here. An Apex-Core patrol drone. Scanning the Sector for anomalies after that power drop.’
Through the grimy display window, Peter saw a shape approaching. It was a heavy seeker drone—a black, multi-eyed machine resembling a mechanical spider a meter in diameter, hovering in the air on four quiet rotors. A bright red diagnostic laser beamed from its undercarriage. A broad, horizontal line of light swept slowly across the building facades, cutting through gaps in windows and doors.
‘Stabilize yourself!’ Octavian whispered, retreating deeper into the shadows where the old cabinets stood. ‘If your pulse spikes, the laser will catch it. It’ll register you as an unauthorized biological signature and you'll catch a paralyzing jolt straight to the spinal cord. Breathe, Peter! Six a minute!’
Peter felt cold sweat bead on his back. A surge of panic struck his mind with the force of a battering ram. His heart hammered, instantly shattering the hard-won harmony.
The red laser line touched the workshop's windowpane. The light sliced inside, casting a bloody glow over the clock faces, the copper gears, and the tabletop. The laser began its slow sweep toward Peter.
‘Calm,’ the lad thought, clenching his hands on his knees. ‘The metronome in my head. Click... click... Click... click...’
He closed his eyes. He cast off the fear of the drone. He focused solely on the image of the green meadow, on his sister's smile.
Inhale... one, two, three, four, five.
Exhale... one, two, three, four, five.
His pulse began to drop. Thirty beats a minute. Twenty-eight. The magnetic field of his heart, tuned to a frequency of 0.1 Hz, fell into perfect resonance with the Earth's Schumann pulse. An invisible shield formed around his body. The phase of his personal electromagnetic field shifted exactly 180 degrees relative to the drone's scanning signal, causing complete cancellation of the reflected wave. To the Apex-Core sensor, Peter ceased to exist as a biological object. He became a static part of the environment—air, a wooden stool, a pile of scrap.
The red laser swept directly across his chest. The light illuminated his face, his eyelids, and ran down his canvas jacket. Peter didn't stir a millimeter. He held his breath, held his coherence, feeling every cell of his body vibrate to the rhythm of 432 Hz.
The drone hovered outside the window for a few more seconds that felt like an eternity. Its rotors hummed quietly. Finally, a short, synthetic chime emitted from the machine's speaker, signaling no anomaly detected. The robot rotated in the air and drifted off toward the Sector's central plaza.
Peter wiped his face with his sleeve. Blood dripped from his nose again, splashing onto the rusted copper plate.
‘Good work, Aetrys,’ Octavian said quietly, stepping out of the shadows. ‘But your biological hardware can barely take it. Phase shifting without an Absolute-IP filter ruptures your blood vessels. A few more stunts like that, and you'll have a stroke. Your synapses simply won't withstand that kind of voltage.’
The watchmaker walked to the window, peered cautiously outside, then turned back to Peter.
‘You must go. Time is running out. The Crucible tournament starts in an hour. Head to the lower sector, to the ruins of the old textile factory. Rhea is already waiting for you at the entrance to the Abyssal Grid. She has the gear to jack you into their emulator. Get those credits, Peter. Buy the bypass. And start purging that fucking virus of guilt once and for all, or this game will end for you faster than you think.’
Peter stood up from the stool. His legs felt like straw, but a new, cold flame burned in his eyes. He wiped the blood from his face with the sleeve of his jacket.
‘Thank you, Octavian,’ he said gruffly.
‘Don't thank me,’ the old man muttered, reaching back for his watchmaker’s loupe. ‘Just survive. And bring me back my tables in one piece once you're done tearing down this bugged world of theirs.’
Peter shoved the oak door open and stepped back out into the cold, sour rain of Sector 4-Retro. The market’s roar hit him with renewed force, but the lad paid it no heed. In his head, ticking in a perfect 0.1 Hz rhythm, Octavian’s clocks chimed on.
Enjoying AETRYS? Support us!
AETRYS is a passion project, but producing illustrations, music, and webtoon panels requires significant resources. Your support helps us release new content faster!
Support on Buy Me a Coffee